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ABLETON LIVE LITE 9 IMPULSE HOW TO

The Arrangement Position Fields and the Stop Button.Ĭlips can be renamed using the Rename command in the Edit menu or the right-click(Win) / CTRL- click(Mac) context menu. You can always return the Arrangement Position fields to 1.1.1 and stop playback for the entire Live Set by pressing the Control Bar’s Stop button twice. These fields keep a continuous flow of musical time going, so that you can always know your position in song time during a live performance or while recording into the Arrangement (see ‘Recording Sessions into the Arrangement’), regardless of what your individual Session clips are doing. Notice that, even if you stop playback for a Session View clip, the Play button in the Control Bar will remain highlighted, and the Arrangement Position fields will continue running. The layout of clips does not predetermine their order the Session grid offers random access to the clips it contains. They can even be mapped to MIDI note ranges so that they play chromatically.Ĭlips can be played at any time and in any order. Pressing the 0 key while a Session View clip(s) is selected will deactivate that clip(s).Ĭlips can be controlled remotely with the computer keyboard or a MIDI controller (see ‘MIDI and Key Remote Control’). Click on a square Clip Stop button to stop a running clip, either in one of the track’s slots, or in the Track Status field below the Session grid.

ABLETON LIVE LITE 9 IMPULSE HOW TO

Please refer to the manual section on clip launch settings (see ‘The Launch Controls’) for details on how to customize this behavior. You can then move on to the neighboring clips using the arrow keys. Click the button with the mouse to “launch“ clip playback at any time, or pre-select a clip by clicking on its name, and launch it using the computer’s Enter key.

Each clip in the Session View has a triangular button at the left edge.

This is exactly what Live’s unique Session View is for.

When working along with a piece of music or a film score, it can be more efficient and inspirational to start with an improvisation, which is later refined into the final product.

In the theatre, sound has to react to what happens on stage.

When playing live, or when DJing, the order of pieces, the length of each piece and the order of parts within each piece is generally not known in advance.

For a number of applications, this is a limiting paradigm: In Live’s Arrangement View (see ‘Arrangement View’), as in all traditional sequencing programs, everything happens along a fixed song timeline.